The Grainy Landscape, Worn-Out Household, and Remembering the Past in 28 Years Later
How do zombie films shine new light in the post-Covid and post-Brexit era?

This film portrays the strength that art has in surviving the megalithic tricks and repressions that the State manipulates towards its compatriots. The colors reflecting the dominance over the being, which, if not thinking, is tortured by its religious, political and academic doctrines, staining and building the States with drops of blood, but the art subjugated and repressed by lobotomized intellectuals of the three doctrines is what we hang and endure our arts and our values in the face of a bankrupt ethics/morality, a false truthfulness created only for the purpose of dominating one another. This art of ours survives and grows stronger as we fight to open up the bulging eyes of our society, already manipulated into being blind, deaf and mute. Our art doesn't speak, it screams! Scream! For only then can ears clogged with false sermons be unblocked like a vase full of shit overflowing with anguish.
How do zombie films shine new light in the post-Covid and post-Brexit era?
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
One Night in Miami... did not frame the racism and bigotry as something that could be solved by quality time spent between individuals. Instead, it featured four different legends of Black History together in one room disagreeing for about 2/3 of the film.
The beating heart of this film is the relationship between Anna Osborne and Sonya Rockhouse.
2025 has just about wrapped, so we’re taking this time to celebrate the most inclusive films that came out this year. Graded on Gender, Race, LGBTQ, Disability, and more
A code adopted by gay men and LGBTQ+ individuals in general to subtly disclose your identity to another, “friend of Dorothy” is widely considered to originate with Judy Garland.