‘The Devil All The Time’ is Gritty and Bleak
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.

In the easy-going, sexually-liberated 1970's Tel Aviv, three young friends, struggling filmmaker Nati, his impressionable girlfriend Ossi and his geeky friend Mushon, move in together in a small apartment in Dizengoff Street number 99. By day, they work a boring desk office job but by night the city is their playground. Their overall goal is to make their way into the commercial movie making business, but harsh realities and romances often sidetrack them. Their fourth friend and Nati's older other girlfriend is aspiring musician, Miri.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
If you've watched 'Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles', you are either someone who believes “nothing happens” in this three and half-hour film or you’re like me who believes everything happens.
Two movies that do a fantastic job in conveying the ongoing struggle for racial justice are Selma (2014) and Just Mercy (2019).
Pressure is an unambiguously great movie, lead by convincing performances, a well-crafted script, good direction, and at least some social awareness.
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
A few episodes in, I realized the most prominent theme of In The Long Run wasn't culture, race or even finding independence--but the idea of belonging.