The world watched in horror as the NYPD was put on trial for the shooting of Sean Bell and Amadou Diallo. The chants of "no justice," "no peace" were heard around the world, but in the end was justice served? In this sequel to IF I DIE TONIGHT, the story continues and follows the next seven years of this case of police brutality. It presents both sides in an effort to find the truth after the culminating trials. This riveting documentary continues to ask the question, "how far has our country actually come?" Features Al Sharpen, Rudy Giuliani, and Eliot Spitzer.
Though often underwhelming as a whole, Nevertheless is worth the watch because of the relationship between Sol and Jiwan. It is a stunning, refreshing take on the friends to lovers trope that LGBTQ media has been missing.
The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
The Mandolorian has a more nuanced and commentative take on masculinity that refrains from praising the toxic traits associated with the social category, while also showing a more positive and transformative representation of masculine characters.
These openly gay Hollywood figures risked so much by being honest about their sexuality: judgment, loss of employment, hate – even violence and death.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
