'Tár' — The Monster's Side of Paradise
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.

Was filmed at a musical instrument factory in Shanghai where 90 percent of the pianos that they manufacture are exported around the world, and only 10 percent are “finished” and can be labeled “Made in the US (or) Europe.” The video captures an intricate network of mechanisms as they interact with each other, their rhythmic movements resulting in an intense choreography and a cacophony of metallic sounds dramatized by Macdonald’s editing. As the shot widens, it reveals the process we see unfold: a piano being vigorously tested by a factory machine designed to determine the endurance of the instruments. Contrary to what is often relayed, the work has nothing to do with Chinese factories or fast-changing global economies. As described by Macdonald, “it’s about the way information is perceived and put together through the connection of looking at different parts of something, and then accumulating them into a larger image.”
A film for the post-MeToo era that inverts the narrative with an ironic coda, Tár depicts the duality of a sensitive artist capable of great evil and vile manipulation.
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