‘Fast Color’: A Strikingly Different Take on the Superhero Film - Movie Review
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

A movie about the power of thousands, the courage of hundreds and friendship of a few, thanks to whom a change of fate of millions became possible. Poland, lower Silesia, the beginning of a very cold winter 1981. After a series of entrapments by the security service a confrontation between the opposition and the communists seems to be inevitable. Just before the proclamation of martial law a group of young solidarity activists decide to play va banque and organize a rash action to take out 80 million of the union money from one of the Wroclaw’s banks before the account is blocked. Security service officers follow their steps. It’s the beginning of a gripping tournament in which also priests and curb dealers will play their parts. Each side has aces up their sleeve.
Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
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