
What if there was no one left on Earth but two lovers trapped in the hyper-dimension of a barren Texas Landscape? On a quest to chase the light, Will and Mia travel across vacated urban sprawl and into the country side. But things aren't working out quite right. Gravity seems elusive, shadows chase you and whispers drift in the vacant winds. One evening, Will's nightmares manifest into the seven rednecks and they begin their imminent arrivals and they answer to only one; The Black Dog. Upon realizing the deadly seven are feeding on their fears, Will and Mia forge their escape, Can these two lovers make it out alive and, if so, is that their destiny?
“Reboot” is crass and sometimes incoherent, and has much room to improve, but with investments of time and care, could flower out of the seed of a vision.
'The Patient' is bound by four walls and a mediocre ending that leaves you wanting more.
Bong Joon Ho’s masterpiece, Parasite (2019) became one of the few international films to break into the American mainstream.
"Driveways" is a nuanced portrait of an Asian American family, touching on themes of loss, growth, and belonging.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.