Christmas Magic in A Cinderella Story: Christmas Wish
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.

Leo is only twenty, but his life is in black and white. His days always begin at 6:06, with odd jobs and an endless race to get his hands on his next hit. Taking drugs is not just an addiction; it’s a mental loop that keeps Leo trapped in an eternal déjà vu. Each time he tries to break out and escape, he’s always sent back to square one. Until he meets Jo-Jo, an enigmatic girl his same age who speaks French only and drives a camper like she’s on the run from something. Like him, she has deep scars. So Jo-Jo is not an easy way out, but it’s chaos that Leo needs. She has her own demons, and in some way, she can see into Leo’s fractured psyche. They drive off to Portugal together, through dusty, dreamlike landscapes, and there, their souls connect and finally speak the same language. Yet saving each other won’t be easy. Leo struggles with his dependency, while Jo-Jo seems to be one step away from dissolving into thin air – as if she were only there to show Leo the path to take.
When the retelling of the Cinderella fairy tale and a holiday spirit come together, viewers learn about class issues as well as perseverance despite setbacks.
Have you ever wondered what it's like to work at the greatest arts and entertainment company? This documentary film gives us a look at the people who make the magic.
The genres of science fiction and fantasy are not exclusively masculine territory. Over the last few decades, female directors have brought to the screen some of the most visually stunning, intellectually daring, and deeply moving works of speculative fiction. From big Hollywood productions like Wonder Woman and Captain Marvel to independent low-budget films, women filmmakers are making a name for themselves around the world.
What makes the lighting in Casablanca even more impressive is how it reflects the emotional states of the characters without needing explicit dialogue.
Sam Levinson's latest film can't keep up with the excellence of its performances.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.