Time To Get Critical About Representation in “Shameless”
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.

50 Years of Fabulous recounts the rich history of the Imperial Council, the oldest LGBT charity organization in the world. Founded in San Francisco by renown activist, drag queen and performer Jose Sarria, the Council has helped shaped LGBT life and social history in San Francisco and beyond throughout the last five decades. Sarria was also the first openly gay man to run for political office in the United States in 1961. From its genesis as a critical public space for the community and capacity building of LGBT San Franciscans, to its vital role in the advocacy for LGBT human rights, 50 YEARS OF FABULOUS documents the full scope of the organization’s historical evolution up to its contemporary struggle in finding relevance -- both in the wake of social progress it has helped foster, and in light of a newly empowered political coalition committed to rolling back a half-century of civil rights achievements.
A decade since it aired, Shameless (U.S.) has always stuck to its guns (and baseball bats) about character diversity.
Malignant is a roller coaster ride of slow-build scares, moments of wonderfully absurd camp, and explorations of autonomy.
This magical reboot introduces a new set of Charmed ones, much to the ire of fans of the original series.
Two young girls meet in the same neighborhood unexpectedly as they embark on a new adventure using their imaginations as this movie brings strong representation among women.
Complex relationships between mothers and daughters are far from a new concept, whether the strain comes from abandonment, beliefs, or trauma. In My Only Wish, an Incluvie Film Festival submission, Brenda Gutierrez’s take on her character’s maternal divide comes in the form of abandonment.
Unlike other documentaries about Princess Diana, Perkins’ film, 'The Princess', is an entire documentary consisting of media coverage and public opinion, rather than a typical series of people interviewed with firsthand experience of the Princess. 'The Princess' beautifully depicts how we perceive Diana as a media figure rather than a real person, specifically creating her persona as a fairytale figure turned saint and icon.