Writing Great Villains: Why They Shouldn't Be Sympathetic
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.

Everyone in the Osayande family worries about Isoken. Although she has what appears to be a perfect life - beautiful, successful and surrounded by great family and friends - Isoken is still unmarried at 34 which, in a culture obsessed with marriage, is serious cause for concern. Things come to a head at her youngest sister's wedding when her overbearing mother thrusts her into an orchestrated matchmaking with the ultimate Edo man, Osaze. Osaze is handsome, successful and from a good family, making him the perfect Nigerian husband material. But in an unexpected turn of events, Isoken meets Kevin who she finds herself falling in love with and he just might be what she truly wants in a partner. The only problem is, not only is he not an Edo man, he is Oyinbo (Caucasian). Isoken is a romantic dramedy that explores cultural expectations, racial stereotypes and the bonds that unite families in a touching, dramatic and comedic way.
Writing great villains is about striking a balance between charming and evil, so we love them but also love to see them lose.
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