"Opus" Is Fun But Doesn't Know Its Own Motivation
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.

But where does the heart go when that voice is displaced from a body that still breathes? In a world where artificial intelligence accelerates and replicates the human form, the boundary between spirit and simulation begins to dissolve. Time, life, and voice become commodities. 40 Epochs is a hybrid-narrative film exploring spiritual displacement, fractured identity, and the unseen labor behind human-like technologies. Inspired by the artists' experience training an AI model to reproduce Sun’s voice, the film follows a donor in solitude as she reads, records, and revises. What begins as ritual becomes rupture, as intimate gestures entwine with the demands of machinic repetition. Narration is carried by the artifact at its core: a synthetic voice generated from Sun’s speech. Disembodied from its origin, it speaks in her place—an uncanny meditation on memory, embodiment, and the estrangement of being heard without being present.
Mark Anthony Green was unable to connect all of the pieces in his debut feature film, leaving Opus as a middling entry in an already oversaturated genre.
(Disclaimer: Harmful Language) In celebration of Pride Month, Father's Day, and father figures (and whoever supports you), I revisit Moonlight's brief but spectacular character, Juan. With overarching themes tied to masculinity, I reexamine his intimacy with Little.
As Andrew’s life begins to change, his passion for drumming soon becomes a spiraling obsession in the pursuit of perfection. Through the use of disturbing and abusive training methods, Fletcher puts Andrew through emotional and physical agony.
The “gay best friend”, an age-old trope, has been done in countless films and television series. Ranging from one-note (Sex and the City's Stanford and Mario) to nuanced (Unbreakable Kimmy Schmidt's Tituss), the gay best friend exists to support and advise the main protagonist, with their conflicts swept to the side.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
One young woman with an unusual background tries to find and establish herself in the real world, which isn't exactly as festive as she hoped it would be.