The film is based on a novel by Anna Gavalda, and adapted for the small screen by M. Langlois and Veronique Lecharpy. The idea that a formal academic school program is traditionally seen as the way for young minds to be formed and molded, yet how many children that are deemed failures by the same system go on to make names for themselves as they discover fields and subjects not taught by the educational establishment world-wide.
The Lighthouse is patient and hypnotic, pulling us in with its mysterious atmosphere and characters. The film’s slow pace proves to be monumentally effective, showcasing the tedious nature that comes with isolation and poor two-way communication.
The most impressive aspect of this film is the honest and natural performances given by the on-screen duo.
This Halloween movie is a remake of the 2003 movie of the same name with Black representation.
This list was made with the intention of celebrating the craft. I love seeing more women of colour on this list than before and more newcomers on the scene as well!
Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
