The last thing Eddie Mills wants to do is go home to deal with his dying Dad. But the Catholic guilt gnaws at him, and he returns home to his crazy family, an overbearing step-mother, and his bear of a father. Once there, Eddie is confronted with a revelation that forces him to deal with the past he has always avoided.
Overall, “Dark Fate” is a run-of-the-mill flick. Together, Reyes and Davis have excellent chemistry, but their characters’ story is nothing new, lacking surprise and deep emotion. During the middle points, the film drags considerably, and when the action hits, it feels consistently tight, eliminating the rhythm and fluidity of conflicts.
Holiday hijinks ensue when a recently separated couple are both accidently invited to same holiday celebration.
From the cinematography to the script to the acting, Sorry, Baby is undoubtedly one of the best films of the year.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.
Laggies is a fantastic movie, filled with down-to-earth characters, transcendent themes, and witty comedy
