ALTER Horror Short Film - "La Noria"
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.

On October 30, 1988, the businessman Emiliano Revilla had been kidnapped by ETA for 249 days. After more than eight months of captivity, hopes of liberation were increasingly scarce and very few journalists were still standing guard at the employer's house. María José Sáez, a young editor, formerly of the EFE Agency, was the only one who was close to the house on the night of October 30th.
"La Noria" deftly subverts audience expectations as it explores childhood grief, anxieties, and pain. The award-winning short shows us that often our monsters are often sprung from our darkest places.
While this film thinks that it is diagnosing the cause, it is merely diagnosing a symptom instead.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
A short film that begins with the language of romance but slowly reveals something far more unsettling beneath the surface.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
How closely does an actor need to resemble a character or historical figure in order to portray them on the Silver Screen? Seems to depend on color.