
This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.
In the spirit of Halloween, here's a list of body horror films which can be interpreted as trans allegories.
A gentle coming of age story, Water Lilies takes its time in exploring what it’s like to be a young girl trying to make sense of her sexuality in a heteronormative world.
A review of the Ryan Polomski documentary featuring the story of Basketball star Raymond Lewis.
The plot could’ve really been interesting if the elements of lycanthropy was integrated with perhaps the struggle of identity of being LGBTQ+. It's an experience for so many that as they’re starting to realizing their true selves, they feel like a monster, especially if they come from unsupportive homes or communities. Instead, the horror and transformation elements seem thrown in without contemplation of how this could deepen the narrative.
Richard speaks with Dia Frampton about some of her experiences with acting and music.