Is She The Suitcase Killer?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.

At the beginning of the year 2020, a relentless plague sweeps the planet and, as a consequence, a global lockdown is gradually decreed: how did people from very different latitudes, living necessarily very different situations, experience this shared solitude? How did people adapt to the restriction by decree of their personal freedoms and the transformation of many bustling metropolises into ghost cities?
Remember Caroline from Vampire Diaries? Well, now she’s The Suitcase Killer, allegedly.
Gritty and bleak are the best words to describe this film. There’s nothing happy about it.
Asha, the main character, is a biracial woman who discovers the power of magic wishing dust.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
This is a film that is going to leave some people bored, and some people thrilled.
A collection of the ten best films that captured William Shakespeare’s pathos the best, both for the diversity they bring, and of course “the aesthetic."