Avatar: Still a Groundbreaker in CGI, but Not in Story
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.

UCLA Student Film, Preserved by the UCLA Film and Television Archive. Jeanna Peterson, a reporter from Sight magazine, sneaks in to get an interview with mindlink artist Jeremy and inadvertently discovers that he is a mutant, not a "normal." He takes her on a ride through his old neighborhood where he gives money to the mutants that have been exiled there after the pollution disaster of the 1980s and 1990s. She decides not to reveal he is a mutant in his story, but encourages him to reveal it himself at his next mindcast, which will reach an audience of billions. However, when he begins his confession, the brutal Ian Stone interrupts it. He must now go underground, as the government broadcasts a message that he is wanted for impersonating and murdering Jeremy.
I suppose you could argue that the story wasn’t what Director James Cameron was aiming for, it was the visuals. The spectacle of it all was the point, and it certainly shows.
In addition to the cast being delightfully diverse this time around, the film was just loosely-plotted and action-packed enough to keep a casual fan like myself entertained. While I do agree that the writing of Cole left much to be desired for an original character thrust into a preconceived universe, none of the characters seemed particularly fleshed out in terms of personality; however, I think that's to be expected when you're watching a film literally inspired by a video game.
Personalities clash and tempers fume in a family-run Chicago restaurant
This Comedy-Drama set in Nazi Germany, shows a young boy, Jojo who wants to be Hitler's personal guard and even conjures up Hitler to be his imaginary friend. His nationalism and prejudices of Jews change when he discovers a Jewish girl hiding in his attic.
Based on a true story, this sports movie is centered around a college football player.
When you don’t factor in the plethora of inferior sequels that have been produced, Luca is one of Pixar’s simplest and most unassuming films in years — and there is absolutely nothing wrong with that. The film thrives on being a visual feast with a warm message for all ages, so much so that its unoriginal storyline doesn’t feel that big of a problem.