The End of “The End of Oak Street” is Oak Street
An attempt to capture nostalgia that unfortunately just doesn’t work
2 Countries
Ullaas is a cunning guy who can go to any extent for money. One fine day, he cheats a priest and redirects an NRI match which is supposed to go to a known person in his village. He manages everything and finally ties the knot with Laya. The twist in the tale arises when Ullaas comes to know that the NRI girl he married is a complete alcoholic. Rest of the story is as to how Sunil manages to get his problematic wife back on track.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Ullaas is a cunning guy who can go to any extent for money. One fine day, he cheats a priest and redirects an NRI match which is supposed to go to a known person in his village. He manages everything and finally ties the knot with Laya. The twist in the tale arises when Ullaas comes to know that the NRI girl he married is a complete alcoholic. Rest of the story is as to how Sunil manages to get his problematic wife back on track.
Rating:
Genre:Comedy, Romance
Written By:Raffi
In Theaters:
Box Office:$8,200,000
Runtime:156 minutes
Studio:Rejaputhra Visual Media
Articles You May Like
What’s Missing in the Lilo & Stitch Posters? A Face and a Deeper Concern
Where is Lilo's face? Disney marketing sends a chilling signal: that even in 2025, an alien is more palatable and marketable than a brown girl.
PAW Patrol: The Movie
This analysis covers Paw Patrol: the Movie, including character analysis, themes covered in the movie, and things that could've made this movie better.
“Fleabag” is Ridden With Exceptional Writing and Great Performances
Shortly after season two of Fleabag dropped on Amazon Prime in 2019, Barack Obama put it on his list as one of his favorite television series of the year.
Shonda & Austen: ‘Bridgerton’s’ Regency Romance
There’s no two ways about it — Bridgerton is horny. Shondaland’s newest venture- released on Netflix on Christmas- is certainly a spectacle to behold, just as the premise; essentially an Austenian, Regency-Era Gossip Girl, helmed by Shonda Rhimes, the reigning queen of steamy romance television. It would not be inaccurate to describe it as Jane Austen porn.
Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.