A Queer Review of the Austin Film Festival (2023)
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.

The 1975 Metropolitan Championship was, for River, more than the conquest of a title; it marked the end of an agony that required the efforts of historical figures of the club. In the midst of a political and economic crisis, the film documents the tensions and challenges that had to be overcome in order to achieve the yearned-for lap of honor.
Highlighting the many ways in which AFF 2023 illustrated that the queer experience is not a monolithic one.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
In 'Little Boxes," an interracial family moves to an all-white town where they face the judgement of others who have never been exposed to people of color before.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.
When a powerful church leader is found dead, Benoit Blanc enters a tight-knit community where everyone has secrets, but not everyone is fully developed.