"Nightborn" and Why We Need More Feminist Horror
Coralie Fargeat once said that “Being a woman is body horror,” and when you think about the ways we are taught to experience our own bodies, it becomes almost impossible to argue with her.
1968. Happy New Year
Spring of 1968, Warsaw. The fight for influence between top level Communist officials is the background to a developing love story between a young couple who are engaged in student protests. Both the young couple and their parents will pay a high price for their decisions, and their Jewish roots, which up until now seemed to have no meaning, but which will soon determine their fates.
- / 5
PopScore
Representation
Pictures and Videos
Movie Information
Spring of 1968, Warsaw. The fight for influence between top level Communist officials is the background to a developing love story between a young couple who are engaged in student protests. Both the young couple and their parents will pay a high price for their decisions, and their Jewish roots, which up until now seemed to have no meaning, but which will soon determine their fates.
Rating:
Genre:Drama, History
Written By:Jacek Bromski
In Theaters:
Box Office:
Runtime:84 minutes
Studio:Studio Filmowe Zebra
Cast
Jacek Bromski
Director
Krzysztof Kolberger
Jerzy Bergman
Piotr Machalica
Henryk Kowalczyk
Jolanta Jackowska
Agnieszka Bergman
Tomasz Kozłowicz
Piotr
Maria Chwalibóg
Piotr's Mother
Władysław Kowalski
Bolesław Szokalski
Piotr Warszawski
Jacek Trawiński
Anna Chodakowska
Alicja Bergman
Krzysztof Kowalewski
Military Commission Chairman
Radosław Pazura
Rafał
Bartosz Opania
Jarek
Articles You May Like
TIFF ‘22 Coverage: ‘Triangle of Sadness’
Ruben Östlund muses about his characters, “As soon as you get close to a person, you see them as just another human being”. It is widely recognized that aboard the luxury yacht in ‘Triangle of Sadness’, the different groups of people represent a small society as a commentary on classism and gender binaries.
A Spoiler-Free Review of 'Glass Onion: A Knives Out Mystery'... I Promise!
A spoiler-free review of 'Glass Onion: A Knives Out Mystery,' highlighting the way the modern setting and current social climate once again influence Johnson's approach to the whodunit narrative.
Netflix’s ‘The Last Days of American Crime’ is a Crime Against Entertainment
The film didn’t have to be as long as it is. It just dragged on and on with scenes that had no substance. Every so often we get an action scene, and even those isn’t that fun.
"Godzilla vs. Kong" is pure, stupid fun
"Godzilla vs. Kong" is all style and very little substance. It's also the most fun I've had in months.
Is Netflix’s 'Single All The Way' the “Answer” to Hulu’s 'Happiest Season'?
In the LGBTQ+ holiday rom-com wars, 'Single All The Way' may or may not be the “answer” to 'Happiest Season.'