Diversity Programming At The Austin Film Festival
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.

We follow the rootless Sinsen gang in good times and bad. A life that consists of rock concerts, hut trips, amusement park visits and car thefts. The year is 1958, when the Americans launched the Explorer and the Russians Sputnik III. However, these events do not interest the youthful persons in this film, the members of the "Sinsen gang". For them, it is far more important to know which rock hits are on top on Top Twenty on Radio Luxembourg, and to have seen the latest film with Elvis. The most important is to be accepted by the gang, to be loyal to your pals, and for a very few to be prepared for school
Coverage from the Austin Film Festival, highlighting some panels and films that emphasized the importance of diverse and inclusive storytelling.
The movie opens with an empty house, cameras pan around from the perspective of what viewers are confused about at first, but turns out to be a spirit living in the home.
The Sandman features a plethora of LGBTQ+ characters and is openly expressive about it!
The thing is, people like Wahlberg will only apologize if they have something to lose, which he did. His glamorous life, his reputation, and his career were all at stake.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
The Loud House movie follows Lincoln Loud and his 10 sisters taking a family vacation to see their ancestors in Scotland.