Last Christmas: Emilia Clarke Stopped Eating Hearts and Decided to Win Them.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.

A unique and historically valuable addition to the Official Films Collection, these 14 minutes of material predate television and provides both black and white and colour coverage of the first ever FIFA World Cup™. There are five minutes of material from the final in colour, providing a record of Uruguay’s victory in 1930.
In Paul Feig’s newest comedy, Last Christmas, Katarina (Emilia Clarke) didn’t give a heart, she got a heart, you see.
Like Stars on Earth is a representative movie that talks about dyslexia to young audiences and why it is important in today's generation.
With The Father, writer-director Florian Zeller- who wrote and developed the play upon which the film is based- pulls no punches as he confidently makes every effort to put the audience in the mind of someone whose grip on reality has all but vanished. It’s a dazzling testament to Zeller’s abilities as a director as he makes his first transition from stage to film appear as if he’s been working behind a camera his entire career. The dialogue he fashions with co-writer Christopher Hampton, along with the work of production designers Peter Francis and Cathy Featherstone, collectively makes the downward spiral of dementia startlingly tangible, doing so in a way that can be comprehended by everyone except the person it directly affects.
Haven't you heard? There's a new horror subgenre: cerebral gore, that's probably been around for decades and we're now just starting to talk about it.
Liar, Liar, Vampire takes a bite out of clichés in romances between vampires and teenagers. Anything but boring and dripping with fun, it's a Halloween story with a twist.
“It's not ghosts. It's not supernatural. It's... It's America. And it's everywhere.”