Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

180º poster

180º (2011)

Salvador Diaz is a skilled conman. For most of his years, he cheated others for a living... until he cheated the wrong man. After messing with Martin Soto, Salvador's life now lies in the hands (or rather, the knee) of Gasparotto, an injured sports star who's flawlessness in the playing field becomes the most important factor not only for 'bringing in the big bucks', but for claiming his life back. Getting the people to believe in Gasparotto is Salvador's greatest act of con artistry yet. It will be in this moment of his life where he finally meets his true destiny. That is, if he can still believe in something higher than just himself.
- / 5
PopScore
Representation

Pictures and Videos


Incluvie Gala

Movie Information


Salvador Diaz is a skilled conman. For most of his years, he cheated others for a living... until he cheated the wrong man. After messing with Martin Soto, Salvador's life now lies in the hands (or rather, the knee) of Gasparotto, an injured sports star who's flawlessness in the playing field becomes the most important factor not only for 'bringing in the big bucks', but for claiming his life back. Getting the people to believe in Gasparotto is Salvador's greatest act of con artistry yet. It will be in this moment of his life where he finally meets his true destiny. That is, if he can still believe in something higher than just himself.

Rating:
Genre:Drama
Directed By:Fernando Kalife
Written By:Fernando Kalife
In Theaters:2/3/2011
Box Office:

Runtime:105 minutes
Studio:Tartufo Films

Articles You May Like


'Oxygen': Mélanie Laurent Helps Elevate a Familiar Premise

These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.

Matt Geiger