Searching for Identity in Iñárritu’s Bardo
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.

Jeong-woo, who was enjoying his honeymoon with Na-yeong, quietly calls Min-joo while she is on a business trip. And after having a lovely time alone, he was resting at home, and Na-yeong came home earlier than he thought, and Jeong-woo hurriedly sent Min-joo away, but Min-joo is hiding in Jeong-woo's house instead of going back to her house. At this time, when Na-yeong and Jeong-woo peeked at the scene, they were so surprised that they ended their relationship with Na-yeong in a hurry and drove Min-joo away. But the immature girl, Min-joo, who is enjoying this, how will their relationship end? The thrilling love story between a young man and a woman is just beginning.
The director's latest is a dreamlike exploration of a consciousness torn between two homelands, and the implications of history and memory suspended in limbo.
As I typed this, Chris Evans was being “cancelled” on Twitter. I did a little research on this since I always thought Chris Evans was well-received. It turns out the backlash is because of a white savior movie he made called Red Sea Diving Resort.
It took writers D.B Weiss and David Benioff two years to give us a promising final season. Two. Years. It was just going to be six episodes, which was short considering that all the other seasons — except season 7 — were 10 episodes. 10. 6 wasn’t enough, and even HBO wanted to give the writers more episodes. More seasons, even. However, the writers wanted to get out of the show as quickly as possible to work on other projects. This abruptness is clearly shown in this season.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
Strangers in a crowd, exchanging glances, looking away, continually managing to run into each other then part ways, end up at the same diner, find they've rented the exact same vehicles, and are then made to travel together to learn once more whether they can both find genuine adoration and companionship again. This really does, in so many words, sum up the foundational gist of of this new feature film from writer Seth Reiss ("The Menu") and director Kogonada ("The Acolyte", "After Yang"). Yet, it's all only the set-up for the REAL wonder of everything that happens before, during, and in the aftermath of a magical, meaningful journey.
Hokum is an enjoyable horror film that will probably get a little under your skin, but it isn’t the tour de force that you might be expecting.