Love, Regret, and Art: Pandemic Lessons from Station Eleven and The Real World
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.

Year 141 after Christ, in the Roman province of Dacia. An unusual appearance of a comet is observed on the night sky. The astrologers think it is a bad sign that will bring misfortune and death. In these frightening days, a deadly epidemic among cantoned soldiers spreads in a Roman fort (on the border of Dacia Province). Doctors are overcome by the situation. No one knows the cause of this disease and the number of deaths is steadily increasing. Four Roman explorers, led by the experienced Centurion Marcus - (along with his comrades Aquila, Tertius and Nerva) is sent by the commander of the fort - Prefect Cornelius Fulvius on a special mission to the unknown and unconquered territories beyond empire's border, those ruled by the Free Dacians, to find an unusual solution to this plague.
The three themes of lessons learned from HBO Max's Station Eleven are the same as the pandemic: love, regret, and art.
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Him is visually stunning—all concrete cathedrals and bone-rattling impact shots that look like a nightmare highlight reel. Marlon Wayans is magnetic as this legendary quarterback who's basically selling salvation with a smile that never quite reaches his eyes. But the story keeps running in circles: more tests, more cryptic pep talks, more ritualistic drills. The sports-as-religion metaphor beats you over the head when subtlety would've been more effective. The middle drags, and that finale chooses spectacle over substance. It's undeniably stylish, but left me cold. Also worth noting: despite the Monkeypaw connection, this isn't actually a Jordan Peele film—he didn't write or direct.