A former aristocrat Ippolit Vorobyaninov leads a miserable life in Soviet Russia. His mother-in-law reveals a secret to him - she hid family diamonds in one of the twelve chairs they once had. Vorobyaninov in cooperation with a young con artist Ostap Bender start a long search for the diamonds.
Leonid Gaidai
Director
Archil Gomiashvili
Ostap Bender
Sergei Filippov
Ippolit "Kisa" Vorobyaninov
Mikhail Pugovkin
Father Fyodor
Glikeriya Bogdanova-Chesnokova
Yelena Stanislavovna Bour
Natalya Varley
Yelizaveta "Liza" Petrovna
Natalya Vorobyova
Ellochka Shchukina
Nina Grebeshkova
Musik, Bruns' wife
Natalya Krachkovskaya
madame Gritsatsuyeva
Klara Rumyanova
Father Fyodor's wife
Georgiy Vitsin
fitter Mechnikov
Nikolay Gorlov
Polesov
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
I imagine that it would be a dream job for an actor to play the parts of twin brothers Dominick and Thomas Birdsey in I Know This Much Is True.
Based off the book of the same name, ‘The Miseducation of Cameron Post’ (2018) follows teenager Cameron Post (Chloë Grace Moretz) after she is caught being intimate with another girl and then sent away to a gay conversion camp.
... La huesera haunts her daily life, leaving people to question her viability as a mother, and Valeria’s lack of satisfaction with her life leave her asking similar questions. These misgivings reach their peak after the baby is born, when Valeria, visibly in a state akin to possession, locks her in the fridge when she won’t stop crying through the night
"WHAT ARE YOU WILLING TO SACRIFICE?!!!!" "EVERYTHING!!!!!" This is but one of a multitude of highly emphatic questions, and subsequent answers, being asked in the newest feature film from one of the current masters of horror, Jordan Peele ("Get Out", "Us" and "Nope"). I must give Peele credit in that he continues to push the boundaries of specific genres and their associated tropes in order to provide what ends up amounting to subtly then jarringly intense, yet still character and story-driven, cinema that speaks more to indie stylings than mainstream.
A musical adventure that young viewers will enjoy as Blue and Josh travel to New York City for a big opportunity.