In Walt Disney's 101 Dalmatians, the puppies watch a black and white serial western TV show about Thunderbolt the Wonder Dog. That episode ends in a cliff hanger as Thunderbolt, in hot pursuit of Dirty Dawson, plunges into a river towards a treacherous waterfall. In this short episode that ties to the original, Thunderbolt escapes the fall down the waterfall with the help of the Sheriff, avoids an explosion triggered rock slide, and ultimately captures the horse thief, Dirty Dawson.
True crime media is notoriously obsessed with the “missing white woman” trope, and yet the vast majority of American murder victims are male, and well over half are people of color.
Films staring black transgender actresses/actors are few and far between, it’s refreshing to see a demographic represented in film that hardly gets any attention. This is especially important as the Black trans community has been shown in studies to face the highest level of discrimination amongst general trans and non-binary groups. That is why it’s so crucial that we amplify their voices through any way we can, storytelling being a great medium to do so.
Mona Fastvold’s nineteenth century lesbian romance is emotionally charged, restrained, and poetic without feeling forced.
What seems like such a simple story of survival is so much more than that—it’s a story of family, and of war, and of destruction. It’s painful to watch, but not in a bad way. It makes its audience reflect on their own actions, and in how they are complicit in the sufferings of others as the adults in this film are. Grave of the Fireflies does not hold back from being heartbreaking, and it shouldn’t. It tells a message that needs to be heard decades after the war, and a story that cannot be forgotten by history.
The Magician's Elephant has a strong multicultural cast and a heartwarming story about bringing two long-lost siblings back together
How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.
