Sweet Girl's Mind-Boggling Twist Makes the Movie... Feminist
For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.

For the most part, 'Sweet Girl' recycles tired hyper masculine revenge tropes, but a surprise twist in the end turns it into a female-centric revenge film.
Shudder’s Host (not a particularly original title, I must say) attempts to bring the spooks to “the quarantine generation” by presenting us with a scary Zoom call during lockdown.
A young girl named Hailey Mays sings a country song that is named after the film's title.
Having Sersi be the central force in Eternals is unprecedented in its viewpoint and focus, from demonstrating a gentle type of leadership, to being overlooked in a group setting but succeeding in the goal at hand anyways, to having romantic options, to strength and integrity, and majority screen time - for a group that's given less screentime than aliens.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.