'The Invisible Man' (2020)
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.

In her film 1000 Girls, A Place We Go, Sietske Van Aerde leads viewers through a series of playful transformations. Inspired by the nymphs of Ovid’s Metamorphoses, who are constantly shifting shape due to the cruelties inflicted upon them by the gods, the film follows several individuals searching for ways to exist in a world that can often feel heavy. Van Aerde films her own surroundings, capturing friends, artists, and other passers-by as they speak about themselves. We witness a variety of internal portraits unfolding.
'The Invisible Man' triumphs in tension even as it drops the ball on genuine surprise for the audience.
Nick Rowland’s She Rides Shotgun is a blistering, blood-soaked road thriller that doubles as a bruised love story between a haunted ex-con (a career-best Taron Egerton) and the daughter he barely knows (astonishing newcomer Ana Sophia Heger). Fueled by white-knuckle chases, razor-tense shootouts, and quiet moments of aching tenderness, the film captures both the terror and fragile beauty of survival. It’s gritty, heartbreaking, and unforgettable—a father-daughter odyssey destined to leave audiences shaken.
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It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.
Behind all the action, 'Space Sweepers' is a surprisingly heartfelt and progressive story about building community.