“Supergirl” is like, fine, or whatever
Supergirl is a decent movie, anchored by great action scenes and a great lead performance

Supergirl is a decent movie, anchored by great action scenes and a great lead performance
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Leveraging the cockiness of many of his interview subjects, Theroux created an exposing documentary that shows just how scary these sections of the internet can be.
With 'The Last Movie Stars,' filmmaker and fanboy Ethan Hawke cracks the facade of Hollywood's last golden couple, but reveals a couple who were committed to each other before all else.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
For a troubled teen, Will discovers what is important in life when he attends a summer camp: the people who care about his well being.