No Other Choice: Killing for the Family at the Age of Obsolescence
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.

When the young and beautiful actress Maddy McCarthy (Clare Bowen), star of Ray Abbott's theatrical production, has an emotional breakdown that jeopardizes the show, Ray turns to Zac Freeman, his young and ambitious publicist, to come up with a plan to save the show. With the help of Maddy's friend and understudy Connie Burns (Natalie Blair), Zac kidnaps Maddy and plays it as a publicity stunt. While Zac and Maddy hide out in a secluded cabin deep in the woods, the press go crazy with speculation and gossip. But soon the plan begins to unravel and Maddy, Zac and Connie become pitched in a terrifying and bloody battle of survival.
With the theme of unemployment, it presents a family fantasy anecdote rather the a comment on social problems.
Given Hollywood's history of racism and financial motivations, how much progress can we expect? Plus: a list of excellent films by Black directors.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
A bumpy journey about revolution and family makes us feel fear, disgust, humor, and satisfaction.
Welcome to the first episode of the Incluvie Movie Highlights! We shine a spotlight on our favorite new movies that stand out for diversity and identity. Is Everything Everywhere All at Once too weird, or just the right amount of weird?