「見逃した君たちへ」ひまわり組 2nd Stage「夢を死なせるわけにいかない」公演 

'Little Woods' rethinks the Western genre and examines the misogyny and classism inherent in the healthcare industry.

How closely should film adaptations follow their source material? Let's take a deep dive into "Norma Rae", and find out.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

In Spike Lee’s She’s Gotta Have It (1986), we follow the love life of powerful female protagonist Nola Darling (Tracy Camilla Johns) and explore the relationship dynamics she has with her partners. She sees three men simultaneously: Greer Childs, (John Canada Terrell) Mars Blackmon (Spike Lee), and Jamie Overstreet (Tommy Redmond Hicks). Though an 80’s film, She’s Gotta Have It is surprisingly progressive with its themes of female sexuality, although at some points in the film it is handled clumsily. Overall Nola is an incredibly compelling character especially for modern women, as we as a society acknowledge female sensuality more and more without the negative stigma.

Can a piece of bad representation truly be reclaimed? We Are Pat (2025) attempts to answer this question.

How powerful can a story be when it is stripped to the bare essentials of just a room, a handful of people and raw human voice?