
During deeply intimate conversations with the filmmaker after she learns she is going to die, Kazuko challenges cultural and social norms speaking candidly about her own life and death while she grapples with what it means to be honest and live happily. As she nears the end of her life, through observations about love, money, marriage and death, Kazuko develops a deeper intimacy both with herself and the filmmaker, while inviting the viewer to deeply consider their own life. And death.
Apatow’s latest film, The King of Staten Island, is no different. The movie tells the story of Scott (Pete Davidson), the 24-year-old son of a deceased firefighter who passed away when Scott was 7
This documentary moves chronologically through Black representation in horror films, revealing the genre's connections to Black history.
Rare in the days of franchise sequels and indie horror films that dominate the screen in 2026, Netflix’s latest original release, Remarkably Bright Creatures, is a feel-good family movie that leaves nothing to be desired except tissues. Starring Sally Field and Lewis Pullman as two cleaners at a small-town aquarium, Remarkably Bright Creatures reminds viewers that humans are social animals whose strength comes not from our intelligence or our opposable thumbs, but from each other.
'Living' dives into many themes that we can all understand regardless of our cultural backgrounds. We can see this through the shared similarities between 'Ikiru' and 'Living'.
“To be universal, you have to get specific”: while the film does not attempt to provoke discussions about queerness or race, those watching closely may find something resonant in Sorrentino’s love letter to the Naples of his youth.