Dia Frampton Talks Her Career and Roles
Richard speaks with Dia Frampton about some of her experiences with acting and music.

The cafe is almost empty. A customer tries in vain to choose a meal to his liking. The barmaid and two waitresses are discussing a recent radio program in which a retired waiter talks about the plight of his colleagues in the old days. The customer is nervous: borscht is impossible to eat, crayfish is already peckless, milk is sour, beer is warm.... The disappointed customer, leaving, says that he was the one who spoke on the radio. The waitresses apologize: they thought it was an ordinary customer, but now they will serve him in no time. The man refuses and in a peculiar way - by verse and personal example - gives a lesson in cultural service.
Richard speaks with Dia Frampton about some of her experiences with acting and music.
The repeated actions, the blood on the petals, the rustling under the floor…An ambient short horror film takes us into another realm.
If you identify as part of the queer community, or if you love old school slasher flicks, you will love this movie.
When they’re young, they’re America’s darlings but, when they become teens and adolescents, they’re instantly perceived as harbingers of immorality. They’re Lindsay Lohan, Macaulay Culkin, Justin Bieber, and Britney Spears. But, despite what many media outlets, politicians, and the general public may think, they are human beings above anything else. The new Billie Eilish documentary, Billie Eilish: The World’s A Little Blurry, proves this — showing the trials, tribulations, and humanity when growing up with all the world’s eyes on you.
The major flaw of the series is that it’s hosted on Netflix and barely makes malicious comments about it despite being focused on the lives of people directly affected by the Capitalist mentality of the OTT corporation.