“The Owl House”: The First Bisexual Disney Hero
The Owl House has swiftly become one of Disney’s beloved cartoon series.

The story of a lonely diner cleaner, hiding from the world behind the ridiculous guise of an old man, who one day finds a video game cartridge in a cereal box that opens the door to a world of forgotten youth, where the boundaries between past memories, fantasy and reality begin to gradually blur.
The Owl House has swiftly become one of Disney’s beloved cartoon series.
Omaha reminds us of what it can feel like to look at old family photographs. You sit with the bittersweetness, allowing it to wash over you; not drowning in it, but certainly affected by it.
The Roses is a wickedly sharp marital warfare comedy that transforms domestic dysfunction into high art. Olivia Colman and Benedict Cumberbatch deliver powerhouse performances as a couple whose fairy-tale romance implodes when his architectural career collapses just as her culinary empire takes off. What makes Jay Roach's remake so devastatingly effective is its refusal to pick sides—both spouses are equally sympathetic and monstrous, wielding Tony McNamara's razor-sharp dialogue like weapons forged from shared intimacies. It's a film that dares you to laugh at relationship wreckage while forcing you to confront the uncomfortable truth that the line between passionate love and mutual destruction is terrifyingly thin.
An incredible documentary showcasing the difficulties of living in a crumbling Rust Belt city.
The series follows Mark Naird (Carell), a four star general who has been appointed to run the newly created Space Force