隣の変態大家におっぱいを揉まれ毎日犯●れてます 白花のん 

We chat with Penelope Lawson about her short film, The Dinner Party, her experience founding her own production company, and fun cinema.

The trouble with Yara (2021) is that in its attempt to tell the whole story, it struggles to tell a consistently engaging story.

Every movement becomes a question of identity. To become who we are meant to be. In order to reach that we often have to shed who we once were, and that shedding can sometimes be so brutal it’s ungraceful.

Overall, Lee Cronin’s The Mummy is plagued by numerous flaws, both from a quality and from a diversity standpoint.  The film relies on gore and loud sounds to drown out its flat script, flatter dialogue, and one-dimensional characters. 

If Top Gun needed to say it, Top Gun: Maverick makes you feel the need... the need for speed.