'Priscilla' (2023)
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.

Prokopiy, a 27-year-old boy with developmental disabilities, lives with his strict mother, Maria, who keeps him locked away for his own "safety." Life goes on as usual in a remote Yakut village until Prokopiy's cheerful sister, Aiyyna, arrives next door. She gives him warmth, attention, and a sense of "normality," and a simple, pure friendship blossoms between them, which becomes a revelation for the boy. Aiyyna leads him out of his locked room, takes him on a sleigh ride to a party, and for the first time makes him feel part of the outside world. But the closer Prokopiy gets to freedom, the more conflicts he has with his mother, who fears losing control and may not be able to protect her son from the pain society can inflict on him. A touching, harsh, and poetic coming-of-age story about a man who emerges from the safety of a locked world to an ambiguous freedom.
This drama film is about Priscilla and Elvis Presley's failed marriage through the lens of the title character.
Earth and Blood is slow, but it still has it’s entertaining moments. If you’re into thrillers, or want to watch something new, then this film might be for you. As for me, Earth and Blood was tolerable enough.
Four more classic horror films that are entertaining even if occasionally absurd.
Ditch the lube and get to the point in the raw, honest, cheeky dramedy written and directed by Mark Schwab.
Remakes. Reboots. Reinventions. Redundancy. It's the common practice in Hollywood of late, sometimes offering us victorious reimagining of what can be considered cinematic classics while also, more often, falling flat on their UN-imaginative faces in utter defeat and lackluster results. Admittedly, with this in mind, I went into the newest incarnation of "The War of the Roses" with typical trepidation and cautious optimism.
Mai yells what every parent dreads hearing from their child: “tao ghét mày” (“I hate you”) and runs from the scene, where Hai discovers that Mai was telling the truth about the wallet.