杉原杏璃 アンブロシア ~美味しいアンリ 

"The Mitchells vs. The Machines" captures the eternal struggle between kids who want to pursue the arts and their practical parents who think they'll fail.

This current year, as well as the past several, has seen a slowly building increase in something the horror genre has required for quite a while in this critic's opinion...originality. I've stated before that I am very hard to please when it comes to this vein of the film industry's offerings, always leaning more towards that which sends chills through my very being in lieu of buckets of blood and gore.

Set in a future dystopian United States in which water is running out, Julia Hart’s Fast Color (2018) is a refreshingly different take on the superhero film.

I hadn’t heard of it either until recently—and yet, it’s one of the highest grossing movies of all time.

One of the reasons I love watching movies is that, much like books, they serve as windows into other times and different places. Productions from around the world offer valuable insights into the history and culture of their respective countries. And just like literature, cinema can help us understand the present by showing us the past.

The power of a talented female director like Patty Jenkins and an overall diverse cast is what makes this film worth watching for me.