徐佳莹 理想人生巡回演唱会 台北站 

The more we learned with each passing minute the bigger the reveal. This film ends with a serious bang and it was truly a joy to watch.

For the entirety of Raiders of the Lost Ark, Marion remains in full control of both her body and her personality, a rarity for female characters at the time of the film’s release. She’s granted depth with personal demons from her past and emotional vulnerability when the situation deems it appropriate for her to grow alongside Indy. She avidly rejects the notion of being anything other than a sassy, humane rebel, and Indy’s equal in every way. This she does while still maintaining her femininity.

Netflix’s Shadow and Bone has a complicated relationship with race. It has a diverse cast, but not without its problems. Based on Leigh Bardugo’s two book series, the show features characters from the Shadow and Bone trilogy, which is very straight and white, and the Six of Crows duology, which is much more diverse. When bringing together a cast and writing about these characters, the team behind the show expanded upon some of the representation missing from the first trilogy, then seemed to take away representation from the duology. Shadow and Bone seems to play a bit of a push and pull game when it comes to portraying diversity onscreen.

The short documentary and second place winner of the Incluvie Short Film Festival, Gender Outlaw: A Bodysurfing Story, challenges any simplistic understanding of trans people.

Kung Fu Chit was a beautifully made, empowering short film that really spoke to me. Featured in Incluvie’s 2020 Film Festival, Kung Fu Chit tells the story of a girl who doesn’t quite fit in.

I’m disappointed in The Woman in Cabin 10, but that’s at least in part because of my love of Ruth Ware’s novel.