Everyone’s Welcome in IT: Welcome to Derry
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
Tom Woodruff Jr.
Tom Woodruff Jr. (born January 21, 1959) is an American actor, director, producer and special effects supervisor. He won an Academy Award for Best Special Effects for his work on the 1992 dark fantasy film Death Becomes Her; that same year he was also nominated for the same award for Alien 3. Some of his most notable works include: The Santa Clause, Starship Troopers, Cast Away, It and Jurassic World: Fallen Kingdom. Description above from the Wikipedia article Tom Woodruff Jr., licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known For
Related Articles
No ‘Prey’ to be Found Here
A new chapter for the Predator Franchise, Prey(2022), brings an action-packed film of two hunters going against one another to prove their worth in the hunt.
Predator's Seventh Entry, 'Prey', Is A Breath Of Fresh Air
'Prey' is the seventh edition of the Predator series and offers a new take on the iconic hunter and an amazing representation of Native Americans.
Jumanji: A World of Psychological Horrors
“Jumanji - a game for those who seek to find, a way to leave their world behind...” A nostalgic classic that remains unnerving, "Jumanji" draws audiences into a chilling adventure.
It: Chapter Two Review: An Ambitious, Worthwhile Sequel
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.