Jamie Foxx Brings Swagger To The Courtroom In "The Burial"
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.

Bill Camp (born 1963 or 1964) is an American actor. He has played supporting roles in many films such as Lincoln (2012), Compliance (2012), Lawless (2012), 12 Years a Slave (2013), Love & Mercy (2015), Loving (2016), Molly's Game (2017), Vice (2018), Wildlife (2018), Joker (2019), News of the World (2021), and Sound of Freedom (2023); the HBO miniseries The Night Of in 2016 and The Outsider in 2020; and the Netflix miniseries The Queen's Gambit in 2020. He had recurring roles in the HBO drama series The Leftovers from 2015 to 2017 and in the Hulu space drama series The First in 2018. Camp has appeared in many television series and received two Primetime Emmy Award nominations for his roles in the miniseries The Night Of (2016) and the legal thriller series Presumed Innocent (2024). He was nominated for a Tony Award for his role in the 2016 Broadway revival of the play The Crucible. Description above from the Wikipedia article Bill Camp, licensed under CC-BY-SA, full list of contributors on Wikipedia.
As legal dramas go, we rarely see an African-American actor in the lead role. "The Burial" has several.
Like Fourth of July fireworks, the film Honey Don’t is colorful and fun to look at, delivering many bangs (sex and guns!) for your buck before quietly fading out.
It's sexy, regardless of what else is going on.
Honey Don't! is a chaotic queer noir that's part detective story, part midnight movie madness. Margaret Qualley is fantastic as the wise-cracking private eye Honey, with Aubrey Plaza and Chris Evans adding their own dry humor to the mix. The mystery itself is pretty loose, but the film makes up for it with crackling sexual tension, weird side characters, and razor-sharp dialogue. It's messy and uneven, but in the best possible way.
Joker is a compelling, character-driven, psychological tale that has a message behind the madness.
"Boston Strangler" pulls the curtain back on a well-documented historical moment involving significant contributions from women reporters.