Women Are Just Convenient Puzzle Pieces in “Animals”
A deer caught in the headlights is the perfect metaphor for Animals.

Yeun Sang-Yeop (Korean: 연상엽; born December 21, 1983), known professionally as Steven Yeun (/jʌn/ YUHN), is an American actor. Yeun initially became famous for playing Glenn Rhee in The Walking Dead (2010–2016). He earned critical acclaim for the films Burning (2018) and Minari (2020). The latter earned him a nomination for the Academy Award for Best Actor, making him the first Asian American actor to be nominated. Time magazine named him one of the 100 most influential people in the world in 2021. In 2023, he starred in the dark comedy series Beef (2023), for which he won two Primetime Emmy Awards and a Golden Globe Award. Yeun has also appeared in the films Okja (2017), Sorry to Bother You (2018), The Humans (2021) and Nope (2022). He has also voiced main characters in animated television series such as Voltron: Legendary Defender (2016–2018), Tales of Arcadia (2016–2021), Stretch Armstrong and the Flex Fighters (2017–2018), Final Space (2018–2021), Tuca & Bertie (2019–2022), and Invincible (2021–present). Description above from the Wikipedia article Steven Yeun, licensed under CC-BY-SA, full list of contributors on Wikipedia.
A deer caught in the headlights is the perfect metaphor for Animals.
A quiet film that does not demand your tears but earns them. It explores love that lingers, timing that fails, and the silence between what was and what could have been.
Nope succeeds tremendously in dealing with higher concepts in an engaging and highly entertaining manner without sacrificing theme or personality.
Yes, "Nope" is definitely about the modern obsession with turning tragedy and horror into a spectacle for people’s enjoyment. But it's also about the power of looking, who has the right to look, and what happens to those who are looked upon.
Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.
This story solidified my choices to consume a more plant-based diet and nearly made me cancel my subscriptions to big corporations like Amazon. The narrative was perfectly crafted and on par with Bong Joon-Ho’s other major works; Parasite and Snowpiercer.