Incluvie – Better diversity in movies.
Identity in film with Incluvie stamps, scores, reviews.

Incluvie – Better diversity in movies.
Explore identity in film with Incluvie stamps, scores, reviews, and insights.

Steven Yeun

Steven Yeun

Born in Seoul, South Korea on December 21, 1983 (age 42)

Yeun Sang-Yeop (Korean: 연상엽; born December 21, 1983), known professionally as Steven Yeun (/jʌn/ YUHN), is an American actor. Yeun initially became famous for playing Glenn Rhee in The Walking Dead (2010–2016). He earned critical acclaim for the films Burning (2018) and  Minari (2020). The latter earned him a nomination for the Academy Award for Best Actor, making him the first Asian American actor to be nominated. Time magazine named him one of the 100 most influential people in the world in 2021. In 2023, he starred in the dark comedy series Beef (2023), for which he won two Primetime Emmy Awards and a Golden Globe Award. Yeun has also appeared in the films Okja (2017), Sorry to Bother You (2018), The Humans (2021) and Nope (2022). He has also voiced main characters in animated television series such as Voltron: Legendary Defender (2016–2018), Tales of Arcadia (2016–2021), Stretch Armstrong and the Flex Fighters (2017–2018), Final Space (2018–2021), Tuca & Bertie (2019–2022), and Invincible (2021–present). Description above from the Wikipedia article Steven Yeun, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Related Articles

Who Needs 'Independence Day' When You've Got 'Sorry to Bother You'?

Sorry to Bother You ultimately speaks to the unfair advantages that the country’s power structures award to those with the resources to control others, as Lift’s easy access to the media allows his opinion to be the only one that matters in the eyes of the unsuspecting and easily impressed public. Moreover, it reveals the extent to which the American Dream has any true validity. It postulates how the promise of success and fulfillment as promoted by the American Dream more often than not leads to the undoing of the individual. Interestingly, in its revealing of the American Dream as merely a facade, Sorry to Bother You wisely questions whether or not anything can really be done to undo a system that has been accepted and in action for centuries.

Matt Geiger