Pearl Review - Mia Goth's Twisted Delusions of Grandeur
While subverting the conventions of Golden Age cinema with the characteristics of a slasher, Pearl studies the delusions of grandeur inspired by the movies.
Sam Levinson
Samuel Levinson (born January 8, 1985) is an American filmmaker and actor. He is the son of Academy Award-winning director Barry Levinson. In 2010, he received his first writing credit as a co-writer for the action comedy film Operation Endgame. The following year, he made his directorial film debut with Another Happy Day (2011), which premiered at Sundance Film Festival. He then received a writing credit on his father's HBO television film The Wizard of Lies (2017). He continued writing and directing feature films for Assassination Nation (2018) and Malcolm & Marie (2021). In 2019, Levinson created the HBO teen drama series Euphoria, adapted from the Israeli series of the same name. The series is popular with audiences and received positive reviews from critics. In 2023, he created the HBO series The Idol, which was controversial and received negative reviews. Description above from the Wikipedia article Sam Levinson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Related Articles
X: A24's Latest Horror Film is Sensual and Sensitive
A24 keeps producing amazing films and X belongs with all the brilliant titles under its name. And is definitely a must-watch for a film enthusiast!
Why Malcolm & Marie is a Masterpiece on it's Own Right- Despite Popular Opinion
On top of the phenomenal acting, and great dialogue between the two characters, the cinematography was ravishing! The sound was outstanding! The production design was simple, yet intrinsic. The minimalistic approach in the Malibu beach house represented how little they really have going on in their relationship. The storyline may have been much simpler than "Who's Afraid of Virginia Wolf," but all the more insightful, and much more animalistic at its core.
‘Malcolm & Marie’: A Promising Premise With Disappointing Results
Sam Levinson's latest film can't keep up with the excellence of its performances.