Maybe We’ve Finally Learned Our Lesson - Jurassic World: Rebirth
Life may find a way, but is it worth testing its fierceness and how far it will go?

John Mathieson (born 3 May 1961) is an English cinematographer and commercial director. He is one of a group of filmmakers who emerged from the music video industry of the late 1980s and 1990s. He frequently collaborates with director Ridley Scott, winning a BAFTA Award and being nominated for an Academy Award for his work on Gladiator (2000). Description above from the Wikipedia article John Mathieson (cinematographer), licensed under CC-BY-SA, full list of contributors on Wikipedia.
Life may find a way, but is it worth testing its fierceness and how far it will go?
A direct fall into the white savior narrative
As this critic continues to look back at some of this Summer's films I have taken in, I would be remiss if I didn't mention one of the most overall unsettling trends in Hollywood over the last several years.....sequels, reboots, and remakes. Look, I am all for seeing more than one film for certain originals that made a splash, ie: "Jurassic Park", "Pirates of the Caribbean", "Transformers", etc.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.