“Street Fighter” is Diverse, But That’s It
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.

Gary Dauberman is an American screenwriter and director. He is best known for writing The Conjuring Universe horror films Annabelle (2014), Annabelle: Creation (2017), The Nun (2018), and Annabelle Comes Home (2019). He made his directorial debut with the latter film. Dauberman also co-wrote the supernatural horror film It (2017) and wrote its follow-up, It Chapter Two (2019), based on the same name's novel. Description above from the Wikipedia article Gary Dauberman, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Street Fighter cannot be genuinely recommended, even if it is abundantly clear that much effort was expended.
If you were to watch it on streaming when you have nothing to do, it’s still probably a giant waste of time, but you could do far worse. Paying $18 for a movie ticket and who knows how much for concessions turns this from an exercise in boredom to an exercise in frustration.
It: Welcome to Derry proves you can have rich representation, real humanity, and still fully enjoy Pennywise terrifying kids in sewers.
This is ambitious horror filmmaking, and in a lot of ways, I fully admire its ambitions. For me, the film’s sloppiness defines its overall quality.
Nightbooks, the newest entry in children's horror, honors classic horror films, focuses on themes of acceptance, and has awesome production design.