Reviews of Duncan Jarman's movies

In 'Maestro,' we're left with an impression but not with an understanding of the main character.

‘Killers of the Flower Moon’ is preoccupied with plot and not on the greater struggle of the Osage.

This captivating film can only be truly appreciated by seeing it firsthand. There are not enough words to describe the terrible beauty one experiences while watching it.

By undermining the appeal and credibility of black characters, the show compromises the very idea of diversity and representation it sets to promote.

Standing up for what's right, she's met with miraculous results. She takes charge of her own destiny.

If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.

America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.

Given that Charlie Cox is having a moment with the rise in interest in 'Daredevil,' let's return to one of his earlier movies: the fantasy romance 'Stardust' where he shines amidst a slew of characters, from a stereotypical witch to a crossdressing pirate.

We’ve always known that Edgar Wright is a mixologist when it comes to blending sound, light, colour, and texture. This is especially true in the first act of the film. In fact, all of my positive feedback is directed exclusively at the first act of this film.

When a US Army veteran returns home traumatized, he begins another battle with addiction.

As a musical fan, I enjoyed the film and encourage anyone who likes dark humour and a bit of blood to give it a watch.