Wanda Maximoff: The Hero We Deserve, Not The Villain We Need
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.

Bruce Lorne Campbell (born June 22, 1958) is an American actor and filmmaker. He is known best for being Ash Williams in Sam Raimi's Evil Dead horror series, beginning with the short movie Within the Woods (1978). He has also featured in many low-budget cult movies, such as Crimewave (1985), Maniac Cop (1988), Sundown: The Vampire in Retreat (1989), and Bubba Ho-Tep (2002). Campbell had the main roles in the television series The Adventures of Brisco County, Jr. (1993–1994) and Jack of All Trades (2000), and a recurring role as Autolycus, King of Thieves in Hercules: The Legendary Journeys (1995–1999) and Xena: Warrior Princess (1995–1999). He played Sam Axe on the USA Network series Burn Notice (2007–2013) and reprised his role as Ash for the Starz series Ash vs. Evil Dead (2015–2018). He also appeared in The Escort (2015). Campbell directed, produced, and featured in the documentaries Fanalysis (2002) and A Community Speaks (2004); co-wrote, directed, produced, and featured in the movie Man with the Screaming Brain (2005); and directed, produced, and featured in a parody of his career My Name Is Bruce (2007). Campbell is known for frequent collaborations with Raimi, his brother Ted, Josh Becker, and Scott Spiegel. Description above from the Wikipedia article Bruce Campbell, licensed under CC-BY-SA, full list of contributors on Wikipedia.
If the message here is that without a support system, grieving people turn into monsters, it’s not really well-delivered and may be flawed as a message itself.
The most divisive character in Multiverse of Madness is undoubtedly Wanda Maximoff. Is she good or evil? Is she "unlikeable?" I'm tired of the debate. I love Wanda because she's for us—she's for the women.
America is the crux of the storyline: she is the only person in existence with the power to jump between universes. As central as America is to the Multiverse of Madness story, she somehow didn’t get that much to do.
It’s easy to dismiss Joel and Ethan Coen for writing from the world they build from outside the box of overarching Hollywood stereotypes, but their inability to compromise their collective vision is precisely what makes the simplistic nature of their world-building and characters so brilliant. It’s also what led Fargo to collect seven Oscar nominations and two wins for Best Original Screenplay and Best Actress for Frances McDormand’s brilliant portrayal of the sincere, motherly detective whose wholesome demeanor seizes the day over the selfishness, corruption and evil of the men who don’t comprehend that there’s more to life than a little money.