Walk. Ride. Rodeo. Reveals Amberley Snyder's Success
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.

As the unforgiving forces of nature take their toll on humans and animals, the unexpected return of snow devastates the nomad family’s livestock. 11-year old Sukbhat is forced to leave his childhood behind. Now the hopes of the family rely on the young boy who should tame and race the wild horse. An intense relation between father, son and their wild horse shows how nature overwhelms and influences human beings. Nobody remains unscathed after being confronted with the powers of the steppe.
Amberley Snyder, a young woman whose injury leaves her with a disability, shows viewers that her handicapped state won't stop her from competition.
In The Women and the Murderer, directors Mona Achache and Patricia Tourancheau center women—the very demographic true crime is designed to appeal to.
When it comes the horror genre, I am VERY hard to please or impress, much less scare. Coming from a current mindset of appreciation for chilling, unsettling, tension-inducing efforts such as "Hereditary", "The Conjuring" (ONLY the first one to date, mind you), "Lights Out", "The Babadook", "Midsommar", "Talk To Me", "Oddity", "Bring Her Back", and the like
This film is a splendid mix of mediums, but its strength lies in its simplicity and beautiful message of closeness.
'También la Iluvia' exploits Indigenous peoples' fight against the privatization of water in order to tell a story about Spanish characters.
After two months of refusing to see this movie, I have decided that it’s finally Morbin’ time. After its re-release as a box office bomb; I watched it just to laugh at it. But, I was also surprised, because 'Morbius' is a queer allegory.