Directed by Independent filmmaker Jamie Sharps (Tucker's Crossing), this thrill a minute action/comedy simultaneously pokes fun at the zombie genre and pays homage to the spaghetti western films of the 1960's and 70's. All Kyle Brew ever wanted to do was to be left alone, but his life changes forever when he meets up with "Zombie Boy". After being injected with a deadly green serum, Max transforms into a beer chugging Zombie and Kyle is forced to take him under his wing. Kyle's deadbeat dad Dusty Brew shows up after being kicked out of his retirement home and to make matters worse the boys are spied on by a pistol packing blond named Porsche. Frank, one of the most hateful and despicable villains to ever walk the Earth, invades Kyle's farm with his army of ski mask maniacs and a killer named Mr Greenfield. A climactic shootout and epic duel will keep audiences glued to their seats to the very end.
Jamie Sharps
Director
Matthew Cheney
Max / Zombie Boy
Alan Gilman
Kyle Brew
Reggie Provencher
Frank
Carly Becker
Porsche
Dan Chiasson
Mr. Greenfield
Cheri Anderson
Ski mask maniac
Zack Derby
Ski mask maniac
Casey Horner
Ski mask maniac
Lauren Horner
Ski mask maniac
Richard Miller
Dusty Brew
Randy Szabadics
Ski mask maniac
t’s relatable and heartbreaking all at once, and it’s impossible to watch Happy Together without reflecting on oneself. The film is stunning in every aspect, and is a vital piece of LGBTQ cinema.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
This MiamisFF Review is on the short film 'Rewind Thirty'. Created and released in the United States, this short film has an unclear message.
These confines won’t really encourage you to read the film as a metaphor for the nerve-inducing experience we’ve all been through over the last year, however — and in the interest of maintaining your dignity, you probably shouldn’t. While the sociopolitical commentary may have worked for the similarly-themed Buried (2010), in which we find Ryan Reynolds on his own buried alive in the Middle East, but this futuristic take on the premise is best left as a piece of distracting entertainment. Nevertheless, the atmosphere is no less suffocating, literally and dramatically.
Clearly, in the end, Allison raised a responsible child because she knew that her "friend" was doing something that made her uncomfortable and turned away from her. No worries, Super mom was already one step ahead of her.
Korean Dramas deserve your attention and not just the ones on Netflix.