Dead Poets Society Steals a Queer Story
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.

Maren Kea-Freese's short film ZOE is about an elevator girl in Berlin's TV Tower on Alexanderplatz. It shows the daily life of a woman trying to find herself in a city that is itself in transition. ZOE was shot in 1992, not long after the reunification of Berlin. The poetic 16mm black and white imagery shows Eastern districts such as Mitte and Prenzlauer Berg before many buildings there were demolished or remodeled.
Dead Poets Society relies on patriarchal tropes such as overbearing fathers, contrived brotherhood, and faux-individuality in order to portray its straight white male characters as oppressed.
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There’s enough evidence to insinuate that What We Do in the Shadows is intentionally queer-coded.