The Blues, and Two Contradictory Films That Claim It
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.

An accused who is sentenced by the judge to death, and all the evidence against him, but the accused denies that he committed the crime, which prompted his daughter to visit the judge in his home, all of which are confident in her father's innocence and due to her poor psychological condition, the judge went to prison to meet the accused sentenced to death on a secret visit, and briefed him about his daughter's case and asked him to comfort her psychologically.
Crossroads follows a young guitarist on a journey through the American South in search of blues history and his own voice.
A surprise sequel takes place ten years after the original movie based on the title of the same name, but with a twist to the fairy tale.
Essentially 'Get Out' but for white women, 'Don't Worry Darling' has strong material with its twist reveal, but the writing and directing falter trying to execute it.
As noted in the headline, I didn’t like this movie. Not to say it’s the worst thing ever, but it’s just…meh. Nothing much to it. Very generic. No surprises. At the very least, the cast is diverse so I’ll give it that.
Spiral could easily spawn new sequels and will most likely churn a decent profit. Is it a good Saw film? Absolutely. Could it have been revolutionary though? Also yes.
"A Drowning Man" (2017) explores the unseen aspects of the Refugee Crisis. In, 15 far-too-short minutes, viewers are given a detailed snapshot of what it's like for a refugee to drown in the waters of poverty and otherness while trying to navigate a land whose promise has worn off, and only 'strange' remains.